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流变与开创:一位音乐创业者的生命叙说

【中文摘要】:本论文从研究者自身生命的困惑出发,透过「谁是创业者」这个问题,以叙说探究的研究关怀,从四个面向切入A-C

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hung的生命叙说,从中浮出A-Chung四段生命故事:「从宅男流变为Rocker:迈向『差异』的音乐生命」、「从鬼吼鬼叫流变为庞克小调:音乐曲风的风格化」、「从马猴乐团流变为水星酒馆:庞克火炬的传承」、「音乐『声』命,音『悦』生命:玩音乐很快乐」。我们从故事中看见A-Chung如何去定义「什幺是我的音乐?我的创作?」、「什幺是我有我的音乐曲风?」、「什幺是我的音乐行动?」以及他如何拒绝被定义「什幺是我?」。
本研究通过「A-Chung是不是创业者?」的讨论,试图揭露创业论述背后隐含的三点预设框架:
1. 创业知识的纪律化:创业者被囚禁于经济世界之中
2. 谁掌握权力:创业研究的真理观
3. 知识与权力形构的创业主体
通过德勒兹流变本体观的启发,本研究认为我们必须迈向「流变」的创业主体观,更从A-Chung的生命故事中开採出三种德勒兹式的生命开创新风貌:
1. 生命开创如同块茎的运动历程。
2. 生命开创如同身体美学的欲望生产。
3. 生命开创如同游牧者的逃逸路线。
透过对德勒兹式流变本体观的认识,研究者主张创业研究不应囿于经济论述与商业体制之下,而是必须拓宽研究视野,不仅走向语言转向、社会转向,更重要的是在本研究出现的「生命转向」:将创

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业的「业」视为我们的「生命」,肯认生命的多元与差异,并且不断地在生命的旅途中展开一条「流变」与「开创」的逃逸路线。
【英文摘要】:This study begins with researcher’s reflection upon her own life. Through the question of “Who is entrepreneur?” and the process of narrative inquiry, we explore A-Chung’s life narrative and formulate the following themed life stories: “From Otaku Becoming Rocker”, “From Shout and Yell Becoming Punk mixed Traditional Taiwan Music”, “From Maho Becoming The Mercury”, “Music “Voicing” Life, Music “Delighting” Life”. In these stories, we find how A-Chung defines his music style and

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himself.
Inspired by Deleuzian Becoming Ontology, we think that we must move towards understanding as the entrepreneuring subjectivity “Becoming”. Based on A-Chung’s life stories, we explore three new features of Deleuzian conceptions of life entrepreneuring:
1. Life entrepreneuring as rhizomatic movement
2. Life entrepreneuring as body aesthetics desire production
3. Life entrepreneuring as nomads’ line of flights
In this research, we claim a “life turn” of entrepreneurship to affirm the multiplicity and difference of life, and to explore lines of flight of “becoming” and “entrepreneuring” of life.
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  • 来源:中山大学;作者:许玮庭
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